Physical set design · Est. studio practice
We build worlds thatstop the scroll.
From beauty close-ups to fashion editorials, we craft physical sets, light every angle and design the textures that make products impossible to ignore. Every shoot is a collaboration between our vision and yours.
Violet Haze serum — plaster sweep, single gelled key, shot in camera.
Selected work
Built, lit, shot.
Beauty campaign
Ripple Plinth
Hand-carved sand form, one hard source, no retouched shadow.
Fashion editorial
Arch & Silk
Two-tonne plaster arch, 9m silk drop, colour split in camera.
E-commerce system
Riser Grid
Modular acrylic risers for a 180-SKU run shot in three days.
Materials
Surface Library
Plaster, brushed steel, terrazzo — sampled before anything is built.
Fabrication
Build Floor
Flats framed, textured and painted in-house, never rented flat.
Capabilities
We don't do anything that doesn't serve the image.
Set concept & drawing
Scaled plans and elevations so the crew knows the build before the truck leaves.
In-house fabrication
Carpentry, plaster, resin and paint finishing on our own build floor.
Lighting design
Every angle lit for the frame you're actually shooting, not the room.
Surface & texture
Custom finishes sampled and approved before they reach the stage.
On-set art direction
We stay through the shoot and adjust the set as the frame evolves.
Product staging
Plinths, rigs and hidden supports that hold product exactly where it reads.
Process
Four stages, no surprises.
- 01
Brief & interrogation
We ask what the image has to do before we discuss materials.
- 02
Concept & sample
Drawings, references and physical finish samples for sign-off.
- 03
Build
Fabrication on our floor, then load-in and lighting pre-light.
- 04
Shoot day
We stay on set, adjusting the build frame by frame.
FAQ